‘There’s something quite overwhelming about the scale of The Aftermath Dislocation Principle’ – Vice
‘Cauty’s diorama makes a political statement about societal freedom and state control' – Blueprint issue 331
‘Loved it – charming stuff. What makes London, London. An unexpected delight.’ – Visitor comment
‘Something unusual and different – how refreshing!’ – Visitor comment
‘Rather than the aloofness of so much contemporary art, this wonderful politically angry work by Liverpool born musician turned artist James Cauty offers the viewer an abundance of visual detail' – The Independent
‘There’s something quite overwhelming about the scale of The Aftermath Dislocation Principle’ – Vice
‘The result is engrossingly vivid, funny in places, terrifyingly elaborate and formally fascinating’ – The Independent
‘Cauty’s diorama makes a political statement about societal freedom and state control’ – Blueprint issue 331
